Notes On A Film: Doctor Strange

Despite all the horrible things that are happening in the real world at the moment, there are some things that help – the fact that we live in a world where a Doctor Strange film is in cinemas and is an anticipated event is one of the nice things. The fact that it’s an entertaining and enjoyable film makes it even better. Although this is the Doctor Strange origin film according the formula laid down in the MCU (setting up the character, introducing the superhero element, fighting a done-in-one villain, links to the MCU and teases for future films), it’s […]

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Notes On A Film – X-Men: Apocalypse

I meant to write about X-Men: Apocalypse when I saw it the week it came out, but I couldn’t bring myself to do it. I think it was mostly because I didn’t have anything to say about it – the film was the cinematic equivalent of the ‘meh’ shrug, just existing as a thing that wasn’t truly awful but wasn’t very good either. The fact that it was the follow-up to X-Men: Days of Future Past, a really good film (which I really enjoyed) that was entertaining and had a point for its 1970s setting and had something to say […]

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Notes On A Film: Suicide Squad

The US critics seem to have been particularly harsh towards Suicide Squad – I’m not sure what they were expecting, but it could have been anticipation that has built up over what seems like ages in a very clever marketing campaign to introduce mostly unknown comic book characters to the wider public. (And when writer/director David Ayer talks about making the film ‘for the fans’, exactly how many fans does he think the comic book has? Comics do not have a very large audience, and Suicide Squad is not a popular book, so unless they’ve been a big hit on […]

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Notes On A Film – Captain America: Civil War

Things have been hectic at Clandestine Critic Casa, with lots of decorating and gardening and associated stuff getting in the way of reading and reviewing comic books (I’ve got a stack of first issues to write about that’s piling up, so consider yourself warned). So it was nice to have an afternoon to view the latest film in the Marvel Cinematic Universe, the most reliable place for comic book films at the moment. This was especially true when the last comic book movie I bore witness to was Batman V Superman: Dawn of Justice. Captain America: Civil War was the […]

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Notes On A Film – Batman V Superman: Dawn Of Justice

I usually discuss my thoughts on superhero films because it’s in the centre of the Venn diagram of this blog, namely comic books and movies, and especially when I go to the cinema to see them. However, my reaction to seeing Batman V Superman: Dawn of Justice was along the lines of, ‘Oh dear’, which doesn’t make for a fascinating or interesting insight. Several weeks after seeing it, I felt compelled to get the thoughts out of my head so I no longer had it ruminating in there. I can’t tell what was more annoying while watching the film: the […]

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Notes On A Film: Deadpool

From the opening joke credits through to the knowing post-credit sting, Deadpool is hilariously, filthily, irreverently funny. Nobody is safe from ridicule: the producers are credited as ‘Ass-hats’, the director is ‘An overpaid tool’, Ryan Reynolds mocks himself and his career, the budgetary restrictions of the film are noted, the confusing timelines of the X-Men movies are referenced, the breaking of the fourth wall is mocked; even the ‘gratuitous cameo’ is hilarious and mocking. The Deadpool movie has perfectly captured the comedic sensibility of the Deadpool comics at their best and created something enjoyable in a cinematic format. I’m so […]

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Unsatisfactory Comic-Book Movie Sequels (Part 3)

The Amazing Spider-Man 2 After Kick-Ass 2 and Sin City: A Dame To Kill For, it’s time for the last in my little series of disappointing comic-book movie sequels. I cared so little for The Amazing Spider-Man, I didn’t see it in the cinema and didn’t bother to compile my thoughts on it in its own post – I included it in a collection of reviews of DVDs, and I didn’t even give it the prominence its alphabetical status warrants. Obviously, I wasn’t first in line to see the sequel, or even rushing to watching it when available to view […]

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Unsatisfactory Comic-Book Movie Sequels (Part 2)

Sin City: A Dame To Kill For Yesterday’s Unsatisfactory Comic-Book Movie sequel was Kick-Ass 2. The next comic-book movie sequel that was a disappointment was Sin City: A Dame To Kill For – I can understand why it ended up on Netflix, like Kick-Ass 2 (Netflix UK does not get the best choice of films). Unlike Kick-Ass 2, Sin City 2 has the same writer/director team as the first film; like Kick-Ass 2, it uses comic books as the source material, additional Sin City storylines from Frank Miller’s catalogue (plus two original stories he wrote for the film) as the […]

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Unsatisfactory Comic-Book Movie Sequels (Part 1)

It used to be that, as a rule of thumb, sequels weren’t as good as the first film. The exceptions to this were so small that you could easily list them (The Godfather Part II, Terminator 2: Judgement Day, Aliens) and stay confident in the generalisation. However, there was a slow turnaround in the fortunes of sequels so that it was no longer a small list, and the rule of thumb was no longer a rule. In comic-book movies, this trend had significant outliers – Blade II was better than Blade, X-Men 2 was better than X-Men, and Captain America: […]

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Notes On A Film: Ant-Man

If you are even slightly pop-culture literate, you’ll know that Ant-Man was going to be directed by Edgar Wright, from a script by him and Joe Cornish; it was a project that Wright had been developing for several years, only to leave at almost the last minute due to ‘creative differences’, to be replaced by the less stylistic Peyton Reed, and with a script polish by star Paul Rudd and Adam McKay (who has written and directed many funny films with Will Ferrell). The question of ‘What if Edgar Wright had directed Ant-Man?’ hovers over the film – like a […]

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